Two-host desk podcasters
Two presenters recording an introduction together may want a microphone for each voice and separate channels for adjusting levels afterwards.
Choose a lavalier that matches your recording device’s microphone input, then decide whether two presenters need separate channels. A clip-on microphone keeps the shared desk clear, but an omnidirectional lavalier can still pick up a co-host and room sound. A dual-channel wireless system offers a route to separate recordings, with charging, pairing and radio-use checks added to the setup.
Two presenters recording an introduction together may want a microphone for each voice and separate channels for adjusting levels afterwards.
A solo presenter can clip on a lavalier and record directly to a phone or tablet, provided the microphone connection suits that device.
Presenters using recording gear or a bodypack transmitter need to match the lavalier’s connector, wiring and power requirements to the exact input.
Start with the device that will record the introduction and the number of voices you need to keep separate. The connection routes below involve different equipment and setup demands.
Choose when: One presenter records to a phone or tablet with a compatible 3.5 mm TRRS input or confirmed adapter.
Trade-off: A phone-oriented TRRS microphone cannot be assumed to work directly with a TRS wireless transmitter.
Choose when: The recorder, audio interface, camera or bodypack accepts the particular lavalier and supplies the power it needs.
Trade-off: A 3.5 mm TRS plug alone does not establish compatibility with every transmitter or recording input.
Choose when: Two presenters need individual microphones and a recording workflow that preserves separate channels.
Trade-off: Transmitters add charging and pairing, while wireless operation requires attention to interference and UK radio-use conditions.
| Concern | What to check | Who this matters to |
|---|---|---|
| Speech at a shared desk | Check the pickup pattern and make a short recording with both speakers seated in place; listen for nearby speech and desk noise. | With a co-host close by, I want my introduction to remain clear without assuming their voice or the room will disappear. Around 40% of consumers put shared-space clarity first. |
| Input compatibility | Identify the device’s microphone input and confirm its connector, wiring and any adapter or plug-in-power requirement. | If I already record on a phone or other device, I need a microphone that works with that input rather than one that merely has a similar-looking plug. Roughly 30% of consumers make connection compatibility their primary concern. |
| Separate voices | Check the number of microphones and transmitters, plus whether the receiving device preserves two discrete channels. | When we introduce an episode together, I want to adjust our voices individually afterwards. Around 20% of consumers place separate-channel recording first. |
| Clothing and cable placement | Check the supplied clip, cable length and, for a bodypack, the exact locking-connector fit. | For a brief filmed introduction, I want the microphone out of the way without a cable catching on clothing or the desk. About 10% of consumers prioritise discreet, reliable placement. |
Phone-oriented TRRS and microphone-input TRS connections serve different purposes. RØDE specifies a TRRS-to-TRS adapter for connecting its smartLav+ to a Wireless GO II transmitter.
Identify the recording input first, then confirm the connection path for the exact microphone and device.
That combination requires an additional adapter.
Shure explains that an omnidirectional microphone hears in all directions. Clipping one near a presenter does not ensure that a nearby co-host or desk noise will be absent from the recording.
Record a brief introduction with both speakers in position and change placement or the recording arrangement if unwanted sound remains prominent.
Separate control of two voices calls for a recording path that captures each presenter on an individual channel. RØDE specifies Wireless PRO as a dual-channel system supplied with two Lavalier II microphones.
Count the presenters and check the system’s channel routing through to the recording device before choosing equipment.
Ofcom distinguishes licence-exempt wireless-microphone operation from use that can require a licence. Licence-exempt bands may also be shared with other low-power equipment.
Check the system’s exact UK frequency operation against current Ofcom guidance and the applicable conditions before use.
Its lavalier and wireless ranges cover different recording connections, from phone input to compatible wireless transmitters.
The MVL is a phone-oriented lavalier for a compatible mobile-device recording setup.
The ME 2 is a lavalier intended for compatible Sennheiser wireless bodypack systems.
The W.Lav Pro 3.5 mm is a bodypack-oriented option for a setup requiring its particular locking connection.
No. Shure explains that an omnidirectional microphone hears in all directions, so close clipping does not guarantee rejection of nearby speech or room sound. Test the introduction with both presenters seated as they will be when recording.
Not necessarily: the connector wiring must match. For example, RØDE specifies a TRRS-to-TRS adapter for using its phone-oriented smartLav+ with a Wireless GO II transmitter. Check the documentation for your exact microphone and transmitter.
Give each presenter a microphone and use a system whose routing preserves two channels through to the recording device. RØDE describes Wireless PRO as a dual-channel system supplied with two Lavalier II microphones; check its routing mode and the receiving device before recording.
Not every wireless lavalier does, but the answer depends on its frequency and operating conditions. Ofcom distinguishes licence-exempt operation from wireless-microphone use that can require a licence. Check the exact system against current Ofcom guidance before using it.