Who is this setup for?

Colour-focused tutorial makers

If you film pigment mixes, swatches or finished paintings, adjustable white light and published colour-rendering specifications are more relevant to your main footage than decorative RGB effects. amaran, Godox and NEEWER publish colour-quality figures for the panel models discussed below; check the figure for the exact variant you are considering.

Small-desk painting demonstrators

If your camera, hands and painting share a limited workspace, look for brightness control and a way to position or diffuse the light without crowding the desk. Check the mounting arrangement and the contents of the particular kit, not just the light head.

Portable multi-format creators

If you alternate between painting demonstrations and other video work, power options, pack size and compatible modifiers may matter more than a flat-panel shape. A compact point-source light is another route, provided you are prepared to arrange its light spread with a suitable modifier.

What matters when choosing a light?

Bi-colour panel

Choose it when: You mainly want adjustable white light for a repeatable tabletop or easel setup.

Trade-off: It does not offer the creative colour modes available on RGBWW variants.

RGBWW panel

Choose it when: The light will also serve coloured backgrounds, accents or other stylised video work.

Trade-off: Those extra modes are not needed to show a watercolour painting under neutral white light.

Compact point-source light

Consider it when: A small light to carry between filming locations matters more than using a flat panel.

Trade-off: You must check compatible modifiers and mounting to create the spread your painting area needs.

Concern What to check Who this matters to
Paint colour and paper whites Check CRI, TLCI where stated, and the adjustable white-light range for the exact model. Set camera white balance and compare a test recording with the artwork. If pigment mixes and paper tone are central to my tutorial, I want white light I can adjust without assuming a colour-rendering number will correct my camera settings. Around 36% of consumers put colour fidelity first.
Coverage and reflections Check dimming, included or compatible diffusion, and where the stand can place the light relative to your camera and painting. When wet washes or a palette catch bright reflections, I need room to change the light’s angle and softness. Reflection and coverage control comes first for around 29% of consumers.
Space and portable power Check the exact kit’s power options, included accessories and mounting arrangement before planning a setup away from mains power. If I clear my desk after filming or move between rooms, I need a light I can set up and power without relying on an accessory that is not in the kit. Around 21% of consumers make portability their main concern.
Controls for other videos Check whether the exact variant offers the presets, remote controls or RGB modes you would actually use; consider fan noise near a microphone. If I reuse the light for stylised introductions as well as painting, I want controls that suit both jobs. Creative and repeatable controls lead the decision for around 14% of consumers.

Buying pitfalls to avoid

  • Comparing lux figures without matching test conditions

    Published output figures can refer to different distances and colour temperatures. A larger number alone does not show which light will illuminate your painting area more effectively.

    Compare illuminance only where the stated distance and colour-temperature conditions align, then account for any diffuser you intend to use.

  • Expecting the panel alone to prevent glare

    Paper, palettes and wet washes can reflect a poorly positioned light, even if its output is adjustable.

    Check that you can mount and dim the light, use diffusion where needed, and record a short test from your normal camera angle.

  • Assuming battery support means batteries are included

    A light can accept battery power while the compatible battery and charging equipment are separate from the particular kit.

    Confirm the battery type, charger and supplied power accessories for the exact bundle before planning to film away from a socket.

  • Applying one marking rule across the whole UK

    Department for Business and Trade guidance distinguishes Great Britain’s product-marking arrangements from those that apply in Northern Ireland.

    Check the seller and manufacturer details, supplied safety instructions and the conformity information applicable to the product and your location.

Relevant brands to consider

amaran

The P60x bi-colour and P60c RGBWW panels provide two control options within amaran’s P60 range.

  • Aputure’s amaran specifications give the P60x a 3200K–6500K range, CRI ≥95 and TLCI ≥97; its stated 5,070 lux output is measured at 1 m and 5600K. The P60c is specified at 2500K–7500K, CRI ≥95 and TLCI ≥96.
  • Both models use active cooling. If you record audio close to the light, assess whether fan noise is acceptable in your setup.

Godox

The LDX range includes bi-colour and RGBWW panels with a detachable diffuser and several control methods.

  • Godox specifies 2800K–6500K adjustment, 0%–100% brightness and average CRI and TLCI of at least 96 for the LDX50Bi. Its RGBWW variants add CCT, HSI, RGB and GEL modes.
  • Power options and accessories vary by LDX model and bundle. Confirm the exact variant and what is supplied before choosing a battery-based setup.

NEEWER

The NL660 is a bi-colour panel for a setup that uses conventional brightness and colour-temperature controls.

  • NEEWER specifies a 3200K–5600K range, 0%–100% dimming and CRI ≥96 for the NL660. Its stated accessories include a white diffuser, barn doors and mains adaptor.
  • The specified NP-F550 and NP-F970 batteries are not included. Check the contents of the particular kit if you intend to film away from mains power.

Joybuy products for portable filming

This compact RGB video light is a portable option to assess alongside panel-based setups. For watercolour filming, check whether its light spread, diffusion and mounting suit the area you need to illuminate.

ULANZI VL120 RGB video light

ULANZI VL120 RGB video light, 3100 mAh battery

Consider this compact light if you need portable lighting for filming and also want RGB effects. Its stated features include an integrated 3100 mAh battery, a 2500–9000 K range, CRI ≥95, 360° RGB control and 20 lighting effects.

Before using it over a painting, check the dimming, diffusion, light spread, mounting interface and supplied accessories against your setup. Keep it clear of splashes and wet painting materials.

View on Joybuy

Frequently asked questions

Should I choose a bi-colour or RGBWW panel for watercolour videos?

Choose a bi-colour panel if adjustable white light is your main requirement; choose RGBWW if the same light must also create coloured backgrounds or other stylised scenes. For painting footage, check the exact model’s colour-quality specifications and test a neutral white-light setting with your camera.

How can I reduce reflections from wet paint?

Move the light away from a direct camera-facing angle, use diffusion where needed and make a test recording with your actual paper, palette and wet washes. Increasing output alone will not correct an unsuitable position.

Will batteries and a stand come with the light?

Check the exact bundle before buying: battery compatibility does not mean batteries are supplied, and stand contents can vary. NEEWER specifies that NP-F batteries are not included with the NL660, while Godox describes battery power as optional for relevant LDX models.

What electrical-product information should I check in the UK?

Check the seller or manufacturer details, supplied safety instructions and the conformity information relevant to the light and your location. Department for Business and Trade guidance dated 21 August 2026 describes continued recognition of CE marking alongside UKCA routes for applicable goods in Great Britain; Northern Ireland has distinct arrangements, so do not assume the same route applies there.