Stereo-synth DAW recordists
You want to capture a synthesiser’s left and right outputs in your DAW using two line-capable inputs, without needing to mix several other sources at the desk.
Choose a two-input USB audio interface if your main task is recording one stereo synthesiser into a DAW, provided both inputs accept line-level signals and can be recorded separately. Choose a compact USB mixer if you also need physical control of additional sources, but check its USB routing: multiple analogue channels do not necessarily become separate recording tracks.
You want to capture a synthesiser’s left and right outputs in your DAW using two line-capable inputs, without needing to mix several other sources at the desk.
You want physical controls for a synth alongside microphones or other sources. A compact USB mixer may suit that workflow, provided its USB routing delivers the recording channels you need.
You need to connect a computer, headphones or monitor speakers and perhaps MIDI hardware, while keeping the audio recording path to two inputs.
Choose it when: one stereo synthesiser is the main source you want to record into a DAW.
Trade-off: two analogue inputs leave no additional input channels for separately recording other live sources at the same time.
Choose it when: you want hands-on control of a synth alongside additional live sources.
Trade-off: analogue channel count does not establish how many separate channels the mixer sends to recording software; Yamaha specifies the AG06MK2’s USB audio as 2-in/2-out.
| Concern | Buying checks | Who this matters to |
|---|---|---|
| Stereo capture | Check for two independent line-capable inputs and confirm that your DAW can record Inputs 1 and 2 separately. | If I want to keep my synth’s left and right outputs distinct in the recording, stereo capture comes first; around 36% of consumers put that need first. |
| Monitoring and levels | Look for a documented direct- or hardware-monitoring control and input-level indication. | I want to hear the synth while playing and spot an overloaded input before recording a take. Around 29% of consumers prioritise monitoring and level control. |
| Desk mixing | Count inputs by source type, then check whether USB sends a stereo mix or separately recordable channels. | With a synth and other live sources at my desk, I want physical control of their mix; for around 21% of consumers, that control is the primary concern. |
| Setup connections | Confirm computer compatibility, USB power requirements and the monitor, headphone and MIDI connections you need. | My device needs to fit my computer and speakers, plus MIDI hardware if I use it; connections come first for around 14% of consumers. |
To retain separate left and right signals, both inputs need to accept the synth’s outputs and be available as recording channels.
Check the exact device manual for two line-capable inputs and the DAW input assignments. Confirm the output type in your synth’s manual before choosing cables.
An interface’s instrument and line settings are intended for different source connections, so the wrong setting can complicate gain adjustment.
Follow the connection instructions for your exact interface. Focusrite’s Scarlett 2i2 4th Gen guide shows a line-level synth connection with Inst switched off.
A mixer can accept several analogue sources while offering fewer USB recording channels. Yamaha specifies the AG06MK2’s USB audio as 2-in/2-out.
If you need to edit sources independently after recording, check the mixer’s documented USB channel count and routing before buying.
Product-marking arrangements differ between Great Britain and Northern Ireland; audio connections alone do not settle whether a listing is appropriate for its destination.
Check the seller’s product information against the applicable marking guidance for where the equipment will be supplied.
The Scarlett 2i2 4th Gen is a two-input USB interface for recording one stereo synth into a DAW.
The AG06MK2 is a compact mixer for a synth setup that also needs physical controls and additional source connections.
The M2 is a two-input USB interface for a compact stereo-synth or two-mono-source recording setup.
The UR22C is a two-input interface to consider when MIDI connectivity and monitor-mix controls also matter.
The UMC202HD is a two-channel USB interface for line-level sources, microphones or instruments.
Yes, if the synth has separate left and right outputs and the interface can record two independent line-level inputs. Focusrite’s Scarlett 2i2 4th Gen guide illustrates this connection using two 6.35 mm TRS cables; check your own synth’s output specification before choosing cables, then assign both inputs in your DAW.
For a line-level synth output, use the interface manufacturer’s documented line-level connection method. Focusrite’s Scarlett 2i2 4th Gen instructions say to switch Inst off for its illustrated synth connection; controls and labels can differ on other interfaces.
A USB mixer is worth considering when you want physical control of additional sources alongside the synth. If those sources must become independently editable tracks, check the mixer’s USB routing: Yamaha specifies multiple analogue input groups on the AG06MK2 but USB audio as 2-in/2-out.
GOV.UK’s March 2026 product-marking table lists UKCA or CE for electrical equipment placed on the Great Britain market; for Northern Ireland, it lists CE, or CE with UKNI where applicable. Check the seller’s information for the destination concerned, and assess recording compatibility separately from the marking.